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91. Whispering Hope

Hymn 91Words: Septimus Winner (as "Alice Hawthorne"), 1868Tune: Septimus Winner
Verse 1

Soft as the voice of an angel,
Breathing a lesson unheard,
Hope with a gentle persuasion
Whispers her comforting word.

Chorus

Whispering hope, oh how welcome thy voice,
Making my heart in its sorrow rejoice.

Verse 2

If, in the dusk of the twilight,
Dim be the region afar,
Will not the deepening darkness
Brighten the glimmering star?

Public domain hymn text (published 1868). Words by Septimus Winner.

The Story Behind the Hymn

Septimus Winner was a genuinely prolific American composer and music publisher based in Philadelphia who wrote both the words and the accompanying music of this hymn under the pen name 'Alice Hawthorne,' deliberately borrowed from his own mother's maiden name, one of several different pseudonyms he used across a large and varied catalog of both popular secular and specifically sacred songs produced throughout his long working career. He also separately wrote a considerable number of well-known secular parlor songs of the same general era under both his own actual name and under still other pen names, moving comfortably and repeatedly back and forth between sacred and secular musical composition throughout his entire working life rather than specializing exclusively in one or the other.

The hymn's central governing image — hope deliberately pictured as a soft, gently whispering voice offering quiet, unhurried comfort amid ongoing personal uncertainty, explicitly likened within the text to a 'glimmering star' made only more visible and brighter specifically by the surrounding darkness around it rather than in spite of it — reflects the gentler, considerably more sentimental compositional style broadly typical of mid-nineteenth-century American parlor hymnody as a distinct genre.

Songs written in this particular style were generally composed with roughly equal attention to quiet home devotional singing performed around a family's own parlor organ as to larger, more public congregational worship settings, and Winner's own extensive dual career writing both sacred and secular parlor music in parallel made him particularly well practiced and skilled at producing precisely this kind of intimate, gentle, unhurried melody specifically paired with comforting, deliberately unrushed lyrics — a combination of skills less common among writers who worked exclusively within either the purely sacred or purely secular musical worlds of his era.

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