Lyrics
There comes to my heart one sweet strain,
A glad and a joyous refrain;
I sing it again and again:
Sweet peace, the gift of God's love.
Peace, peace, sweet peace!
Wonderful gift from above!
O wonderful, wonderful peace!
Sweet peace, the gift of God's love!
Through Christ on the cross peace was made,
My debt by His death was all paid;
No other foundation is laid
For peace, the gift of God's love.
When Jesus as Lord I had crowned,
My heart with this peace did abound;
In Him the rich blessing I found:
Sweet peace, the gift of God's love.
In Jesus for peace I abide,
And as I keep close to His side,
There's nothing but peace doth betide:
Sweet peace, the gift of God's love.
Public domain hymn text and tune (published 1888, written 1887). Words and music by Peter P. Bilhorn.
The Story Behind the Hymn
Peter Philip Bilhorn wrote "Sweet Peace, the Gift of God's Love" in 1887 at the suggestion of Daniel W. Whittle, the same evangelist who had earlier written "I Know Whom I Have Believed." The two men were traveling together by train to Iowa for a series of meetings when Whittle, evidently familiar with Bilhorn's gift for melody, proposed the idea that became this hymn's subject: the peace that comes as a direct gift of God's love, rather than something achieved or earned.
Bilhorn, who worked closely with Whittle as a singer and song leader in evangelistic campaigns much as Ira Sankey had worked with Moody, wrote both words and music himself, and the finished hymn was published the following year, 1888, in his own collection Bilhorn's Crowning Glory No. 1, issued in Chicago.
The hymn moves through a clear, simple sequence: peace as a strain of music that will not leave the mind, peace secured specifically through Christ's death on the cross, peace received at the moment of surrendering to Him as Lord, and finally peace maintained only by staying close to Him — each verse ending in the same phrase that gives the hymn its title, repeated so often across its four verses and refrain that the words themselves begin to function like the "sweet strain" the first verse describes.
Bilhorn went on to a long career as a gospel singer and hymn writer, publishing under several pseudonyms in addition to his own name, but this hymn — born out of a train conversation with Whittle rather than any personal crisis or dramatic testimony — remained one of his most widely sung contributions to the gospel hymn tradition.
